Wednesday, November 14, 2018

Episode 20: Coping Mechanisms

My focus was off. I mean the camera focus, literally, was off in the beginning. I think my dog did it with her nose as I was setting up. Geez.  It's not terrible but I'm not doing it over. If it bugs you, close your eyes and just listen... Other than that, I ramble a bit. But stick with me and hear my idea for a new Knit-along and let me know what you think.

This is where I record the eleventy billionth knitting podcast.

On my blog:
On instagram as @mysocalledhandmadelife
On Ravelry as mamatronic:
On Flickr:

My question for you: How would you feel about doing a #WingItKAL where we do something, even if it's small, to modify an existing pattern or create one of our own. I'm talking anything from a dishcloth to a sweater. Are you up for that?

Oak Crest Hat pattern by Vanessa Townley:

mine knit in Knit Picks Capra, Thicket:

Sunset Highway by Caitlin Hunter:

mine knit in Tosh Merino Light, Chicory:
Hawthorne Fingering Multi, Cully:
Voolenvine Yarns Footsie, I am No Bird:
with a bit of Peepaloo Fields Sensible Sock, agave:
A Homespun House Soft Sock, Digital Bath:

BSF International:

Move Your DNA by Katy Bowman:

Her Podcast Episode on Calf stretch:

Yoga with Adrienne:

An article on Chinese medicine's take on grief:

Dami Roelse:

Floozy by Libby Jonson:

knit in YarnFloozy yarns:

My test knit is in Knit Picks Wool of the Andes, currant and bare:

Lovebird Lane Yarns, Michelle:

Smooth Operator by Susan B. Anderson:

Alterknit Stitch Dictionary by Andrea Rangel:

My modified Eased by Alicia Plummer:

My Seamless Yoked Sweater Recipe by Elizabeth Zimmerman:

Knitting Without Tears by Elizabeth Zimmerman:

My Rockefeller Sweater by Wenlan Chia:

My reverse engineered cardigan:

My StripeEd Cowl pattern:

Mindful Shawl by Libby Jonson:

Ewe Hues, Mmmm...chocolate:

Friday, November 2, 2018

Cardamom Coffee Hat

Cardamom Coffee is a good for soothing Sleeve Madness, an ailment from which I constantly seem to suffer. I knit this hat for the Ramblin Rhinebeck Knit-along with Caitlin Hunter, the designer, and The Farmer's Daughter Fibers.

The whole feel of this KAL was 70's Country/Americana. Caitlin's Ramblin Woman pattern debuted at the end of it and was inspired by country glam legends, like Dolly Parton. The Farmer's Daughter Fibers was the perfect for this because their inspiration is often found in Montana's history, comprised of both ranchers and Native Americans.

She had some awesome kits for Ingalls and Tecumseh.  But I had my Sunset Highway that still needed sleeves and yarn ready for Guthrie, not to mention a test knit and Floozy, all needing sleeves, on my needles. I knew I couldn't do a sweater for this KAL. Instead, I chose this hat and I'm so glad I did because it gave me a chance to try a new fiber- Soka''pi.

Soka'pii is a yarn that I have been dying to try.  It's a Rambouillet singe ply yarn from Montana and Wyoming sheep. It means "good" in Blackfeet. I love Wyoming. Our family backpacking trip thru the Tetons and traveling through the Black Hills has given me a tender spot for it's history in my heart.

I've always heard people say that tightly plied yarns are best for colorwork,  so I was unsure if it would be good for this project. I did notice Caitlin's sample used Tosh Merino Light, which is a super wash merino singles base and lots of FOs used it too. Then, Candace encouraged me that it would work out, via instagram, so I started.

It felt like real wool. You know what I mean- woolly, nubby non-superwash wool that doesn't take dye as vividly, but just feels real in your hands. I loved every second of working with it. It was actually very soft to begin with, but it bloomed into more softness after blocking.

Details: I used US size 1 needles for the ribbing and size 2.5 for the body. My colors were Rank Bronc, Napi, and Monarch. Oh, and I could have knit with Monarch all day. The CC2 portion is so small in this hat that, though it does shine, I was a little disappointed to not use more. Good thing I have a ton of the skein left.

In fact, I have a whole unused skein of Rank Bronc and a third of the other left, too. So I added another skein of Napi when I placed my order for the Ramblin Rhinebeck KAL patch. Now I should have enough Soka''pi for another hat.

I topped this hat with a faux fur pompom by FFFabuknits on Etsy. They are a great price and come in all sizes.  This is not even the largest size.

If I'm honest, I have been interested in using Candace's yarn for some time and Caitlin's patterns are always "must knot." But access to this patch/ pin that Caitlin designed was the biggest motivating factor in my joining the KAL. I'm so glad I did because...Willie!!! and I've found a new favorite dyer.

I see that Hill Country Weavers is now carrying The Farmer's Daughter Fibers, too, so maybe next time I visit my daughter we can swing by the "yawn" shop.

Did I tell you?!? My daughter joined Ravelry. She went to HCW with me, picked out some yarn for a hat and scarf, started it, then got angry with it and quit. But, the point is: she joined. I'm okay with her addiction starting slowly.

(more on Ravelry, Instagram, and Flickr)

I talk about this hat some on my podcast episodes 17, 18, and finished on 19.

Thursday, November 1, 2018

Sea Glass and Driftwood

Is it wrong to be prideful about something I've made? The word prideful has such negative connotations, but "full of pride" is the only way to describe how I feel about this test knit. It just seems so intricate and the tonal colors blended so perfectly.  Then, there's the fit, which I got exactly right. That never used to happen on my first try.

Now, get ready for photo overload.  I loved Sea Glass and Driftwood so very much that I wanted to take a million photos of it.  Unfortunately, I had to be wearing it, so most of them were of me looking stoned with  half-closed eyes.  I swear that's the only reason you aren't scrolling through a mile of sweater pics.

It's Sea Glass and Driftwood by Annie Lupton.  You may know her better as Boho Chic Fiber Co online. She has designed some pretty big hits in the knitting world, like Navigate (from Rib Magazine), Kerrytown, and Indie Mash Up.  Those are some of her more popular knits, but really, she has an incredible body of work for someone who hasn't been designing all that long. I scroll through her patterns, on Ravelry, and I cannot understand why there are not more FOs of Nadia,
Macomb, Madame George, and Wild Mystic! How can Pi shawls be all the rage and there aren't more Wild Mystics being knit?! I mean, I know my excuse: I am collecting enough washable worsted to knit this as a giant throw/ coverlet for my bed. This will let me use it year round, rather than my usual month of winter. I also have some stash yarn earmarked for both Madame George Pullover and Lunaria.  I just need time...

When Annie started teasing photos of her newest colorwork design on instagram, I really wanted to be a tester. I figured I had a good chance of finishing it before it got cold here (I did.) and I would easily be able to finish it before the test knit deadline. (I didn't.) But she was understanding of our family emergency and had plenty of testers who did finish by mid October. You can see their glorious finished sweaters here. Several used tonal or variegated yarns, like me. Nikki, of Forest Fiber Arts, dyed her own and those can be found in her shop.  And that shop is full of rich, autumnal colors right now. 

Anyway, most of the testers knit fairly fitted versions of this. I did too, but only because I lacked enough of the Hawthorne Fingering Multi, in Nob Hill, to make a size medium. I was planning on this, so it wasn't a problem. I employed a little blocking magic to get something between the fit of a small and medium. The Hawthorne is super wash and grew beautifully.

Here's the thing- it looked great as a fitted sweater too.  I was tempted to keep it as such, but I know myself and how I almost always opt for baggy.

Some things I love about this sweater, beyond the obvious allover colorwork, is the visible seams at the shoulders.  It gives it a slightly deconstructed or homespun look to me. I just love that detail. Not sure if I'm saying that right, but I like the result.  

I also love the boxy fit (should you choose to knit it oversized). Then there's that colorwork pattern.  It looks so complicated but really only involves a few rows repeated at a time.  This could even be knit in the round, up to the armholes, to facilitate speedy knitting. I did things as directed, since it was a test, though.

Details: I knit this with US size 2.5 needles and 3 skeins of Hawthorne Fingering Multi in Nob Hill (a discontinued colorway), with 2 skeins of Stroll tonal in Pearlescent.  All of these skeins were bought on sale, but the Nob Hill was a very good deal. I was so happy to have a special purpose for that colorway. I had always wanted it but didn't actually pull the trigger on buying until it was discontinued, then I only got a small amount.

I wasn't sure it would be appropriate since it is more variegated than tonal, but it was fine. Pretty soon, I quit alternating skeins and just used one at a time for most of the body. Alternating skeins with two color Fair Isle would be murder. Why make myself hate my favorite hobby? Thankfully both colorways were consistent enough to make that unnecessary. 

My only mods: I added two extra stitches on each sleeve because it seemed to help with gapping at the underarm.  I also made them three-quarter length because I was running low on the Nob Hill.  Remember only three skeins, people!

I also worked the first I-Cord bind off on the neckline and it seemed like it would roll and show the inside of the sweater too much.  After trying a couple of times, I decided to try one purl round, then knitting 6 rounds of stockinette to create a rollback neckline, before binding off.

When I got to the sleeves, I did the regular I-Cord bind off and it worked fine, maybe because there wasn't the bulk of Fair Isle just above the edge, encouraging it to roll upward. I then did an I Cord bind off on the bottom. It is a little roll-y but it doesn't look bad. I don't think the fix I used on the neck would have worked any better than I-Cord did at the bottom edge, so I left it as-is. Maybe I just haven't found the proper tension for I-Cord bind offs. I have much to learn. But did you get that I got the fit right on the first try. That's happened on every sweater I've knit the last year or two!!

Oh, and here's my nose:

(more on Ravelry, Instagram, and Flickr)

If you're interested in more complex colorwork, or at least complex-looking stranded knitting, try this pattern. I cannot say enough about it and I don't want to bore you with more exclamations and photos of me reveling in my perfect Fair Isle knit.

This knit also on my podcast Episodes 17, 18, and 19.

Tuesday, October 30, 2018

Episode 19: Thank You & a Giveaway

Episode 19: Thank You & A Giveaway

On my blog:
On instagram as @mysocalledhandmadelife:
On Ravlery as mamatronic:
On Flickr:

My Question for you: What are some of your coping mechanisms when grieving or sad?

Stuff I mention in Episode 19:

my last episode Cheap Camera tour:

the Instagram slideshow of my dad:

The other slideshow:

Fito Olivares y Su Grupo, Zoológico Tropical:ógico-Tropical-Fito-Olivares-Grupo/dp/B00ABH6CQ8

Who Am I- Jackie Chan clip:

Hill Country Weavers:

Yashica Electro 35 GSN:

YashicaCameraShoppe, where I got my accessories:

Polaroid Spirit 600:

Road Week 2018:

Strange Brew Creative Photo Challenge:

Polaroid SX70:

Polaroid film via Polaroid Originals:

The Knits:

Twas the Night Before Christmas Socks by Dani Jorge:

Knit in Sweet Sparrow Yarn, Peppermint Mocha:

Michelle Socks (Smooth Operator pattern) by Susan B. Anderson:

Knit in Lovebird Lane Yarns, Michelle colorway:

Oak Crest by Vanessa Townley:

-possibly in Knit Picks Capra:

Wheat Scarf by Tin Can Knits:

Ramblin Rhinebeck KAL:

Cardamom Coffee Hat by Caitlin Hunter:

-knit in Farmer's Daughter Fibers Soka'pii, Rank Bronc, Napi, Monarch:

-Pompom by FFFabuknits on Etsy:

Floozy by Libby Jonson:

-Knit in YarnFloozy Merino/Silk/Cashmere, Foliage, Wildberry, and Chewy Caramel:

Sunset Highway by Caitlin Hunter:

-Knit in Tosh Merino Light, Chicory:

-Knit Picks Hawthorne Fingering Multi, Cully:

-Voolenvine Yarns Footsie, I am No Bird:

-A Homespun House Soft Sock, Digital Bath:

Sea Glass and Driftwood by Annie Lupton (BohoChicFiberCo):

-Knit Picks Hawthorn fingering, Nob Hill (discontinued):

-Stroll Tonal, Pearescent:

Guthrie by Caitlin Hunter:

-to knit in Spincycle Yarns, Dyed in the Wool, Mississippi Marsala:

-and Knit Picks Wool of the Andes Sport, Fedora:

Nightshift Shawl by Andrea Mowry:

-to knit in Stonehedge Fiber Mill Crazy:

-I bought at The Wooden Needle Store on Etsy:

Nurtured by Andrea Mowry:

-to knit in Nurtured by Julie Asselin, Courtepointe:

-found at Firefly Fibers:

-Laine Issue 6:

-Handywoman by Kate Davies:

-CocoKnits Sweater Workshop:

The Bulky Easy One by Joji Locatelli:

-knit in Patons Classic Tweed, Black Tweed:

Jelly Donuts by Teresa Gregorio:

from Great Northern:

To knit while rewatching Seasons 1 and 2 of Twin Peaks:

Old Harry by Kat Riddell:

to knit in Gynx Yarns worsted, Favor House Atlantic:

Birds of a Feather by Andrea Mowry:

to knit in Gynx Yarns, Vampire:

and ColorPurl Adore Lace, Espresso Bean:

Ewe Hues Merino/ Bamboo Sock yarn and MCN Sock yarn:

Viking Naturgarn:

Thursday, September 20, 2018

Episode 18: Cheap Camera Tour

On my blog:
On Flickr:
On Ravelry as mamatronic:
On instagram as @mysocalledhandmadelife:

This is where I record the eleventy billionth knitting podcast.

My questions for you:

1) Have you ever tried to say nothing negative to someone for a set amount of time and how did it work out?  If not, would you be willing to try it for a week and tell us how it went?

2) Anything you want to see more of here?

Stuff I mention on Episode 18:

The Knits:

Sea Glass and Driftwood test knit:

for Annie Lupton:

knit in Knit Picks Stroll Tonal, Pearlescent:

and Knit Picks Hawthorne Fingering Multi, Nob Hill (discontinued):

comparable yarns would be other Fingering Multi colorways or Hawthorne Tonal Hand Paint:

Floozy Cardigan by Libby Jonson:

knit in YarnFloozy Yarns:

FloozyKAL in Truly Myrtle Ravelry group:

Summer Sweater Knit-along FOs:

Cardamom Coffee Hat by Caitlin Hunter:

knit in The Farmer's Daughter Fibers Suka'pii:

for the Ramblin Rhinebeck KAL:

Inspirational Stuff:

BSF, where I volunteer:

Katinka's inspirational Instagram feed:

and her creative work on instagram:

and her Youtube channel:

The Happiness Project by Gretchen Rubin:

The Happier Podcast:

Camera Joy:

Polaroid Originals:

Argus 75:

Through the Viewfinder Photography:

Polaroid 210 Land Camera:

More on film for 210:

Instax 210 Wide:

Instax Mini 90:

Minolta X9:

FED Cameras:

Yashica Electro 35 GSN:

Diana + Camera:

The Diana Show is the book that first got me interested in toy cameras:

Lensbaby Composer kit:

Lots of my photos, including embarrassing attempts on my Flickr:

Wednesday, September 5, 2018

Episode 17: What to Do with Myself

This is where I record the eleventy billionth knitting podcast.

On my blog:
On instagram as @mysocalledhandmadelife:
on Ravelry as mamatronic:

Stuff I mention in Episode 17:

My Plum by Junko Okamoto:
Part of the Junko June and July KAL:

Braid and Tinker Podcast:

Floozy Cardigan by Libby Jonson:
knit in Yarnfloozy kit with colors Foliage, Chewy Caramel, and Wildberry:
Floozy KAL:

mosaic knitting rather than stranded:
combination knitting tutorial:
Summer Sweater KAL:

Sea Glass and Driftwood by Annie Lupton:
knit in Knit Picks Hawthorne Fingering Multi in Nob Hill (discontinued):
and Knit Picks Stroll Tonal Pearlescent:

Other designs by Annie Lupton:

Madam George Pullover:
Studio Slub:
Wild Mystic:

My Blog post on social media friendships:

The Happiness Project by Gretchen Rubin:

Happier Podcast:

The Expanse series:

Cardamom Coffee Hat by Caitlin Hunter:

knit in The Farmer's Daughter Fibers Soka'pii yarn in Rank Bronc, Monarch, and Napi:

Ramblin Rhinebeck KAL:

Any Hat KAL2018:

Patterns by Andrea Jimenez:
Spruce Pine:
Regalo Messy Bun Beanie:

The Kohler Method of dog training:

Wednesday, August 15, 2018

Episode 16: How we Connect

This is where I record the eleventy billionth knitting podcast.

On my blog:
On Instagram as @mysocalledhandmadelife
On Ravelry as mamatronic:

My question for you:

Have you ever used knitting, or crafting, to cross cultural or social barriers in order to connect with another person?

Stuff I mention in Episode 16:

Intuition shawl by Stacy Elstone:

in her Stress Knits Squishy base, Eliza colorway:

Your wool blend recommendations for summer:




Knit One Crochet Too Elfin Tweed:

Elsebeth Lavold Silky Tweed:

Tegna by Caitlyn Hunter:

Floozy Cardigan by Libby Jonson:

Kit in FloozyYarn:

There's a FloozyKAL:

Summer Sweater KAL:

Our combined "Next sweaters" list:

Guthrie by Caitlyn Hunter:

Meg by Junko Okamoto:

Jelly Donuts by Teresa Gregorio:

My Annie Lupton Driftwood and Seaglass Test knit:

in Knit Picks Hawthorne Multi in Nob Hill (discontinued color):

and Stroll Tonal Pearlescent:

Ready for Fall by Isabell Kraemer:

Mix and Match by the Knitting Expat:

O' Keeffe by Bristol Ivy:

Piper by Libby Jonson:

Wool and Honey by Andrea Mowry:

Timely by Libby Jonson:

and something... anything... Junko:

Thoughts on Connecting via social media:

Melanie of Braid and tinker Podcast:

and Melanie on Instagram:

Just one of many articles about social media protest:

People skills by Robert Bolton:

Nonviolent Communication by Marshall Rosenberg:

And connecting through craft:

Katinka of Aknitak Creations Podcast:

and Katinka on Instagram:

Day One Journal App:

Emilie on Instagram:

and her plastics graphic:

What the heck are soap nuts?:

Lovebird Lane Yarns:

Our Junko Patterns:


The Twigs:

Lee Beret:




Wednesday, August 1, 2018

Episode 15: Honey Extraction

Hillbillly honey gathering and lots of Fall knitting talk:

On my blog:
On Instagram as @mysocalledhandmadelife:
On Ravelry:

Questions I have for you, these are easy ones:

What wool blends have you used and enjoyed?

What is your next sweater project going to be?

Stuff I mention in Episode 15: Honey Extraction

Junko June and July KAL

Plum by Junko Okamoto:

Knit in Moeke Yarns, Elena base:

Igawa by Junko Okamoto:

Rug by Junko Okamoto:

Lee Beret by Junko Okamoto:

Giveaway donation by Lovebird Lane Yarns:

Book, Podcasts, App, Song, and Site recommendations:

The Happiness Project by Gretchen Rubin:

Also, Gretchen's Happier Podcast:

Book stand for knitting and reading bliss:

Ice Cream for Breakfast:

Recommended by Melanie of the Braid and Tinker Podcast:

Day One Journal App:

Muzzle of Bees by Wilco:

AKC Rally competition for dogs:

And someone's video of a Rally testing:

Backyard Beekeeping:

Knit for Peace:

Fantastic CBC Radio episode on Sagas of the Icelanders:

The Sagas of Icelanders:

Dagmar's 28th Great- Grandfather, Egil!!!:

Test Knit: Intuition Shawl will be released soon by Stacy of StressKnits Yarn:

Stress Knits Yarn Squishy Base, Eliza colorway:

My Muddlings Podcast:

Warm Weather Knitting:

Mae by Andrea Mowry:

in Berroco Remix Light:

PomPom Quarterly Issue 25:

Judoka byLia Moya:

Herrera by Paula Pereira:

Bayadere by Lori Versaci:

to be knit in Classic Elite Song:

My Julia sweater was knit in a 50/50 Classic Elite yarn too:

Dana does lots of projects, even stranded colorwork, in summer weight yarns:

In thinking about the Summer Sweater Knit-along in Very Shannon Forum:

Guthrie by Caitlin Hunter:

in Wool of the Andes Sport:

and Spincycle Dyed in the Wool, Mississippi Marsala:

Great Northern on Ravelry (though not all the patterns have been entered in the data base yet, they are all in the ebook):

Based on styles from Twin Peaks (season 1 is my favorite) here's a blog post on it:

And another post:

Lonely Souls by Teresa Gregorio:

Cherry Pie by Teresa Gregorio:

From Another Place by Leah Coccari-Swift:

Jelly Donuts by Teresa Gregorio:

Stag Wall Hanging by Teresa Gregorio:

Friday, July 20, 2018


After a while, it gets hard to express how much I enjoyed a knit without sounding repetitious.  I say a lot of the same things, especially if it's a favorite designer- and Libby Jonson is one of those.  But, I don't want you to become desensitized to my exuberance about a project, because this was anything but run-of-the-mill.

So I will get the usual, but very true, stuff out of the way:  I did love it!  I found it interesting, even challenging.  And I like to have at least one knit that requires some focus on me at all times.  I also can't wait for the slightest breeze to throw this around my neck.


Some other things I thought as I worked on Zida:

Libby seems a little closer, not halfway around the world, as I knit on Zida.

I feel like I know a designer a little better after knitting several of their patterns.  It's like having a peek into their brain and seeing that it's your kind of place.  And since you know you'll like all of their stuff, it starts to feel like every design is put out there just for you.  I know, such ego.

I took this to a few coffee dates and a couple of restaurants and enjoyed the soft clicking of my wooden needles as an accompaniment to our conversations.  I wonder if my children will remember that sound, subconsciously, and if they hear it later.  Will they be overcome with a sense of dejá vu, like when I smell lotion that makes me think of my mother's blue Deep Magic bottle.  Deep Magic would be a great colorway name.

The color I began with was Gentleman.  No matter how beautiful a solid is, I tend to be impatient to get to the variegated skein and I was impatient with this first garter section... until I hit the gathered bit.  The gathered stitch was something new for me.  There are a lot of things I haven't tried, but the list is shortening as the years go by.  I always enjoy varying combinations of familiar stitches, but when I get to try a completely new one, that's special.  Suddenly Gentleman was hard to leave as I transitioned to the Soft Romance colorway for slip stitch.

The slip stitch section is such a smart, graphic way to tie the lace to the garter.  It was my favorite. Plus, stripes, you know? The fact that each of these striped little sections was small made it like a mini dessert.  You know how restaurants serve those little mini desserts in cups and you order it all demure and seemingly moderate, but you really want a big hunk of chocolate mousse?  It was like that.  It drove my knitting and made me want to hurry to the next bit. With slip stitch stacked on top of garter ridges, stacked on top of gathered welts and connected to variegated lacework- the whole thing feels like garment architecture.

I think I am a texture person.  You know how everyone has a favorite element of knitting- color, shaping, intricate lace, etc.  Well, mine must be texture and lines.  That's why I loved the Rattan, Zelda, We were Seeds, and Marley so much.  All have an element of texture and strong line (so Project Runway).  The thing is, I wouldn't expect a large, lace shawl to be so toned down by those elements, but I love that it is because I don't normally gravitate to lace.

Then there was an aha moment with the slip stitch section when I knew I could do it without relying on my pattern so much.  I love when that happens.  I think I was re-watching Lost with my son when it happened.  It was right when things on the island were getting intense, during season 1, so that's lucky.  When I really "get" what I am knitting I feel like I accomplished something, even if the meat hasn't thawed by seven and if I have a dozen things still undone.  It is something I can hold up to the family and say, "But look, I did this!"  Of course, they're all looking down at devices, but I can say it all the same.

Every time I think of these colors: Gentlemen and Soft Romance, I think of Scarlet and Rhett.  Why? He was the best, but he wasn't really a gentleman and their romance was anything but delicate.  Maybe it's just the fact that I hear them in a southern accent.

I read Gone With the Wind the summer I graduated.  Then I re-read it when my first child wouldn't nurse unless I was laying down (I know. Weird.)  So I spent a lot of the first few months of her life laying down and I mowing through several good books like Imperial Woman.  Gone With the Wind was the best of them, though. Then I read the sequel.. yuck. and a Margaret Mitchell biography...meh.

Details: I knit Zida with US size 4 needles, I think.  I used Red Sock Blue Sock Yarns' Singleton in the beautiful Gentleman and Soft Romance colorways, which seem made for each other and for me.

That's that.  I made no modifications, but I did find the edge of this shaw very forgiving as far as stitch count is concerned.  If I was off by one stitch, once in a while, I would just fiddle with it to avoid having to rip back.  I can't tell at all.

Ramble's done. Have a lovely weekend, friends!!

Thursday, July 19, 2018

Episode 14: Running the Gamut of Topics

This took a little longer than expected due to computer issues, so if I don't show your Junko June and July project or mention a timely comment, I'm sorry.  I spent every night last week on the phone with Apple Care sorting through my tech problems.  It was like being a teenager again, spending all evening on the phone with that special guy, only it wasn't a rotary phone with an extra long cord, and he was 20 years younger than me, and lives across the country from me, and is not romantically interested in me, or even remotely interested in me, and I will never talk to him again after this.  But, there was a lot of that awkward small talk as various things uploaded.

Episode 14: Running the Gamut of Topics

This is where I record the eleventy billionth knitting podcast.

On my blog:
@mysocalledhandmadelife on instagram:
mamatronic on Ravelry:

My Questions for you:

1) What are simple, daily things you can do to grow your happiness?
2) Do you ever not knit something you want in an effort to practice intentional consumption, as in this article? 

Stuff I mention in Episode 14:

Summer Sweater KAL on the Very Shannon forum:

Walk the Block MKAL by RizzaKnits:

My Walk the Block:

Mobility Justice on Nutritious Movement:

Ted Talk with Enrique Peñalosa:

My blog post on Movement in the community:



Moeke Yarns:

Plum sweater:



Flax Sweater by Tin Can Knits:

Move Your DNA by Katy Bowman:

Zida Shawl by Libby Jonson:

Juniper Shawl:

to be knit in Julie Asselin Fino:

Intuition test knit for Stacy Elstone:

to be knit in Stress Knit's Eliza colorway:

The Happiness Project by Gretchen Rubin:

@beginswithac on instagram:

The Paleo Approach by Sarah Ballantyne:

and her blog, The Paleo Mom:

Bible Study Fellowship International, my other people:

The Sagas of Icelanders:

Berserks are creepy:

Wednesday, July 18, 2018

The Mystery Knit-along and Thoughts on Walking My Block

How often do you walk your city block?   I walk daily, multiple times, either blissfully in my own little world or looking harried while being dragged behind the hounds.  It's a commitment that is a constant challenge in my neighborhood.  This KAL got me to try knitting while walking and though I probably won't do that too often, it did translate to higher knitting volume while doing all sorts of other stuff like watching pots on the stove, sitting in a dark theatre, and stretching in front of the tv.

More than that, it added some oomph to my commitment to move more.  It brought to mind my grandmother's stories of her family parking downtown on a Sunday to people watch and walk around, as a social outlet.  That is something so lacking in my town, other than one restaurant with a patio bar.  I do see many more runners in the last ten years, but they have earbuds and don't make eye contact.  Maybe it's us that we are in an awkward place between the community vibe of a big city and the natural beauty of a rural environment, which leaves with neither.

But first: The mystery of my Walk the Block MKAL Wrap, by Cassondra Rizzardi, is revealed: yes, it is very cool.

I didn't have the time or spare cash to get the mini skein set from Six and Seven Fibers that was used for the sample knit.  They were really great.  I love Rachel's color sense.  I would happily buy all of her stuff if I could.  However, I was relegated to my leftovers bag, which is actually pretty great.  I found 12 little balls of yarn that looked good together.  I tried to place them in line with the same sort of shared color relation as the mini set, though they are completely different colors.  I just hoped they would compliment each other similarly.  I laid them out in order from top to bottom, just like the skeins Cassondra laid out for the KAL.  So when she picked skeins 8, 9, and 10 from her lineup, I did the same from mine.  This added to the mystery of what shape each section would take.  The only time I changed the order of yarns was when I went with a lighter shade yarn on the third from the last section to avoid having three very dark colors next to each other that obscured the cute pattern made by short row shaping.

The whole experience was very different for me.  I've never done a MKAL and I have never used so many colors for a garment.  It was a big question.

Details: I used US size 2 needles and 12 bits of leftover yarn whose names you can find on my Ravelry project page.  I didn't deviate from the pattern at all except to substitute a color I had used earlier for the third from last short row on the scarf for more contrast.

I knit a good bit of this scarf barefoot and outside.  It was surprisingly easy to knit when distracted, even without looking.  Cassondra was right: you can feel the short row turns and lace wraps and get accustomed to knitting without having to look down.

I have a queue a million miles long, but I wouldn't mind making another one of these.  I'd be interested to see what color combo I could come up with now that I know what the finished product will look like.

Back to the Jack Handey portion of this post.  It's connected because one of the points of the MKAL was to get out and move within our communities.  THat's something I've been thinking a lot about since reading Move Your DNA.  A podcast viewer recently recommended we listen to a Ted Talk with Enrique Peñalosa about how his city, Bogotá, transitioned from mostly car traffic to using city buses in order to reflect a more democratic notion of transit equality.  His goal was to see that the space and movement needs of each citizen were seen as equally valid.  It got me thinking, and reading other things, about how the little amount of time we spend outside, has a lot to do with bending our lives to fit around transportation.  I don't even live in a true urban sprawl area.  There is a grocery store, hardware store, school, doctor's office, park, and church within the distance of a 15 minute bike ride from my house.

A short distance doesn't necessarily mean a safe one, though.  There are certain hours of the day that aren't very safe for me to walk out of my little block.  I have to use highways or roads where drivers speed and try to pass, when they shouldn't, if I am to get anywhere.  It is very unsafe at night and even during school pick up hours.  Just yesterday I saw two cars narrowly avoid colliding on a sharp curve right next to where I had just been walking.  Had it been a moment sooner, and had they crashed, I might have been hurt.  This happens so often.  If I am going to be outdoors, I have to be alert.  Seriously, I have almost been hit more times than I can count and twice it was by a school bus- and only one time did the driver apologize.  People do not expect pedestrians and even give angry gestures and glares, as if to say, "Quit hogging the road with your body width, you nut!"  It seems that the streets are just for cars and loose dogs- the other bane of my existence.

Of course, I can get behind Peñalosa's ideas about green spaces and more streets designated as car- free. But I haven't thought much about urban planning for the future, so his idea that an 80 passenger bus should be given eighty times the space of a single passenger car was interesting.  In other words, he made a bus lane in his city and it encouraged less vehicle traffic while giving those who didn't own a car the ability to travel without grid-lock.  He also asserts that building and maintaining car-free roadways and regular roadways that have less car travel is much more affordable for a city than the usual highway and road repairs, another thing that has never been on my radar.

This led to another Ted Talk with Peter Calthorpe about city layouts that could be equally attractive to political, housing, and environmental interest groups, while being better for a community.  They involve semi-high density neighborhoods with mixed, street-level shops that allow a person to get what they need within a walkable radius.  He also emphasized costs, but goes into the savings per household and in agricultural resources, too.  His ideas sounded great, but it is only a 14 minute talk and just a cursory search online landed me at this article that makes it seem more involved than that.  Here's another article on cities  combatting urban sprawl, if you're interested.

All of this is on the heels of considering the concepts of mobility justice and our failing health, due to sedentarism, which I've discussed some on Episodes 11-13.  These concepts are the ones that have impacted me the most, though I only mention them here.

I don't have strong conclusions to draw about all of these points.  I have always leaned more towards a solitary cabin in the woods kind of life.  We talk a lot about moving one day and cutting costs by living in a place where we definitely wouldn't need multiple cars and, maybe, not even one.  That's even though my husband's job is dependent on the auto industry.  But I am planted where I am, at least for the next few years, so how can I be part of making my city more inviting, equitable, and healthy?  If the opportunity ever came to move toward public transit or walking more, I'd take the bus.

I could also get more involved in city council meetings, though I shudder as I type that, to be a voice in favor of sidewalks, shade trees, and walking paths.

I have also made a commitment, now that I am not driving and sitting all the time out of necessity, to never return to a sedentary way of life.  I'm trying to work lots of practical walking and movement into every day.  It is a challenge in my neighborhood, but even if it is without destination, I am still going to do it.  This really only helps me, but it is an example to my family, at least.

One last thing I can do to make a difference in the community aspect of my city is to make efforts to talk to people I see when I'm out. All kinds of people, unless they've got earbuds in and are in "the zone."  This is not something I could have easily done when I was younger and very shy.  I want to make others feel at ease in my presence when waiting in a line or passing on the street in the evening.  To linger a bit beyond, "How are you?" and, of course, to extend myself to everyone, equally.  We can always be a bit more inviting.  To this end, I am training my dogs (yes, still) so that it will be easier to take them out without too much ridiculous barking at everything with wheels and I carry the bopper (rolled up newspaper) in my pocket.  Hmm, maybe that doesn't look quite so inviting.

(more on Ravelry, Kollabora, Instagram, and Flickr)

How are you contributing to a healthy, equitable, sense of community in you town? Are you vocal in town hall meetings?  Are you chatty?  Give me ideas.

Another post on this wrap is here.